Play Along Piano

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chorus

NeverEnding Story

aroginsk251

1:18	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	21	1	6	88%
	19	22	2	5	87%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	21	1	6	88%
	19	22	2	5	87%
Voice	9	0	0	4	78%
	9	0	0	4	96%

Das Lied der Deutschen. {Professional production FULL SCORE.} [Unfinished.]

Jamie Holdham

0:36	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 FAGOTTE.	15	7	1	4	100%
4 VENTILHORNER in E.	17	18	2	4	100%
BASS. Alle Männer.	9	0	1	4	100%
BRATSCHEN.	8	0	1	4	100%
Contrabasse.	8	0	1	4	100%
Erste Violinen.	9	1	1	4	100%
TENOR. Alle Männer.	9	0	0	4	100%
Tuba.	13	0	1	4	100%
Violoncelle.	9	0	1	4	100%
Zweite Violinen.	9	0	1	4	100%
3 GROSSE FLOTEN.	9	0	0	4	83%
3 CLARINETTEN in Bb.	14	15	2	4	67%
3 HOBOEN.	14	15	1	4	67%
KLEINE FLOTE.	7	0	0	4	58%
PAUKEN. Es. u. B	4	0	2	4	33%
2 TENORPOSAUNEN.	4	2	0	2	8%
3 VENTILTROMPETEN in E.	2	1	0	2	8%
BASSPOSAUNE.	2	0	0	2	8%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	6	7	100%
	28	28	8	7	98%
Belcore	16	0	3	6	63%
Basse	7	0	1	5	38%
Ténor 1	8	0	1	5	36%
Ténor 2	8	0	1	5	32%
Soprano 1	7	0	1	4	16%
Soprano 2	6	0	2	4	16%
Nemorino	5	0	1	4	4%

Dido and Æneas, No.38: Chorus - With drooping wings

Voorburgs Operakoor

5:24	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	71	11	8	97%
	28	39	10	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	71	11	8	97%
	28	39	10	6	99%
S	14	0	5	7	50%
T	13	0	3	5	50%
A	14	0	4	7	48%
B	14	0	3	5	48%
Dido	16	0	6	9	35%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	41	11	4	98%
	30	70	9	8	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	41	11	4	98%
	30	70	9	8	99%
Gianetta	15	0	3	8	72%
Soprano 2	13	0	3	7	61%
Soprano 1	12	0	2	8	59%

María Elena Walsh - El Señor Juan Sebastián

andresflamenco

1:41	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	5	96%
Soprano	9	0	0	4	85%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	5	96%
Soprano	9	0	0	4	85%
Bass	9	1	1	5	77%
Tenor	7	0	0	4	77%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
A	9	0	1	5	76%
S	11	0	3	6	76%
T	8	0	1	5	76%
B	12	0	1	7	71%
Dido	6	0	0	5	24%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	0	6	7	87%
	20	0	7	5	69%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	6	7	87%
	20	7	5	69%
Viola	18	3	6	66%
Violoncello	18	2	7	66%
Contrabass	22	4	5	65%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	3	8	100%
Violin I	17	0	3	7	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	3	8	100%
Violin I	17	3	7	100%
Violin II	20	4	8	100%
Double Bass	16	3	7	97%
Alto	13	3	6	81%
Soprano	13	3	7	81%
Bass	15	3	7	75%
Tenor	13	4	6	75%

Silent Night

madelinemslov

2:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	6	1	5	100%
Soprano	8	5	0	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	6	1	5	100%
Soprano	8	5	0	5	100%
Bass	5	1	0	5	78%
Tenor	9	0	1	5	78%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto	26	57	9	6	99%
	23	0	8	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto	26	57	9	6	99%
	23	0	8	6	100%
Contrabass	23	0	8	6	100%
Vcl/Cb.	23	0	8	6	100%
Tenor	17	0	7	6	97%
Viola	17	0	7	6	97%
Alto	17	0	7	5	86%
Violin 2	17	0	7	5	86%
Ob. d'Am	23	0	9	5	85%
Flute	16	0	6	4	76%
Soprano	16	0	6	4	76%
Violin 1	16	0	6	4	76%
Bass	20	0	7	5	75%
Fagotto	20	0	7	5	75%